Here's a ranking of my favorite 100 movies of all time so far. For good measure, I tried to include a justification of why I like the movie in five words or less, in addition to the critic and audience scores from Rotten Tomatoes for reference.
Scott Pilgrim vs. The World - Relatable asshole, unique comic rock
(Critic score: 84%, Audience score: 82%)

Good Will Hunting - Violent hooliganism and life lessons
(Critic score: 98%, Audience score: 94%)

Hot Rod - Daringly committed to pure humor
(Critic score: 39%, Audience score: 64%)

Nacho Libre - Jack Black: a national treasure
(Critic score: 40%, Audience score: 54%)

Ferris Bueller's Day Off - Everyone should play hooky sometimes
(Critic score: 81%, Audience score: 92%)

The School of Rock - Authentic, substitute teacher GOAT
(Critic score: 92%, Audience score: 64%)

The Iron Claw - All wrestling movies are great
(Critic score: 89%, Audience score: 94%)

The Mitchells vs. the Machines - High energy, apocalyptic bad assery
(Critic score: 97%, Audience score: 89%)

Big Fish - Tim Burton’s only good film
(Critic score: 76%, Audience score: 89%)

Back to the Future - Plot holes? Where we’re going…
(Critic score: 96%, Audience score: 94%)

Dead Poets Society - A love letter to poetry
(Critic score: 85%, Audience score: 92%)

Napoleon Dynamite - Perfectly captured small-town Idaho
(Critic score: 72%, Audience score: 74%)

Baby Driver - Edgar Wright's criminal(ly) underrated triumph
(Critic score: 92%, Audience score: 86%)

Whiplash - Jazz, passion, abuse, heart
(Critic score: 94%, Audience score: 94%)

I Love You Man - Best romcom ever: a bromance
(Critic score: 83%, Audience score: 74%)

Yes Man - Overly idealistic, but hilariously inspiring
(Critic score: 46%, Audience score: 66%)

A Knight's Tale - Most quotable "period piece" ever
(Critic score: 59%, Audience score: 79%)

Once Upon a Time… In Hollywood - Meta acting, flamethrowers, soup cans
(Critic score: 85%, Audience score: 70%)

The Sandlot - Childhood captured in abandoned lot
(Critic score: 64%, Audience score: 89%)

Star Wars: Episode VI - Return of the Jedi - Best Star Wars, don't @me
(Critic score: 82%, Audience score: 94%)

The Unbearable Weight of Massive Talent - Nic and Pedro: A Romance
(Critic score: 87%, Audience score: 87%)

Sky High - Unapologetically itself, teenage Disney superheroes
(Critic score: 73%, Audience score: 57%)

Guardians of the Galaxy - Marvel's best characters, soundtrack, jokes
(Critic score: 92%, Audience score: 85%)

Spider-Man: Into the Spider-verse - Apparently we needed animated Spider-Man
(Critic score: 97%, Audience score: 93%)

Forrest Gump - Iconic exploration of rewriting history
(Critic score: 71%, Audience score: 95%)

Guardians of the Galaxy Vol. 2 - Higher highs, lower lows sequel
(Critic score: 85%, Audience score: 87%)

The Dark Knight - Heath Ledger, Heath Ledger, Heath
(Critic score: 94%, Audience score: 94%)

Teenage Mutant Ninja Turtles: Mutant Mayhem - Best iteration of Ninja Turtles
(Critic score: 96%, Audience score: 90%)

La La Land - Nearly makes LA look livable
(Critic score: 91%, Audience score: 81%)

The Karate Kid - Johnny did nothing wrong
(Critic score: 82%, Audience score: 89%)

Rushmore - Anderson's less aesthetic storytelling masterpiece
(Critic score: 89%, Audience score: 91%)

Midnight in Paris - Paris: a great main character
(Critic score: 93%, Audience score: 83%)

The Life Aquatic With Steve Zissou - Dynamic grand ocean adventure + Bowie
(Critic score: 57%, Audience score: 82%)

Oppenheimer - Near perfect movie (for me)
(Critic score: 93%, Audience score: 91%)

Inglourious Basterds - Tarantino unleashes on Nazis
(Critic score: 89%, Audience score: 88%)

Fight Club - Caught me completely off guard
(Critic score: 79%, Audience score: 96%)

Office space - Few comedies hold up better
(Critic score: 80%, Audience score: 93%)

Silence of the Lambs - Favorite horror, best written villain
(Critic score: 96%, Audience score: 95%)

My Dinner With Andre - My favorite “boring” movie
(Critic score: 92%, Audience score: 85%)

Pulp Fiction - Every scene is somehow iconic
(Critic score: 92%, Audience score: 96%)

Good Burger - Not sorry, quintessential goofy 90's
(Critic score: 34%, Audience score: 63%)

The Big Lebowski - All-star trio, better every watch
(Critic score: 83%, Audience score: 93%)

Mr. Deeds - idc, Sandler can be funny
(Critic score: 22%, Audience score: 59%)

Deadpool - Unfiltered timely antihero superhero
(Critic score: 85%, Audience score: 90%)

The Secret Life of Walter Mitty - Travelling + the purpose of life
(Critic score: 52%, Audience score: 71%)

Hunt for the Wilderpeople - Fat kid story we needed
(Critic score: 97%, Audience score: 91%)

Into the Wild - Awe inspiring cautionary tale
(Critic score: 83%, Audience score: 89%)

Lady Bird - Somehow incredibly authentic despite cliché
(Critic score: 99%, Audience score: 79%)

1917 - Most compelling cinematography, brotherly love
(Critic score: 89%, Audience score: 88%)

The Godfather Part I - The best crime movie ever
(Critic score: 97%, Audience score: 98%)

The Darjeeling Limited - Broken white brothers travel India
(Critic score: 93%, Audience score: 95%)

Saving Private Ryan - Star-studded, gritty war take
(Critic score: 93%, Audience score: 95%)

Joe Dirt - White trash: a love story
(Critic score: 10%, Audience score: 63%)

Heavyweights - Fat KIDS story we needed
(Critic score: 29%, Audience score: 77%)

Slumdog Millionaire - Creative storytelling, unflinching slums showcase
(Critic score: 91%, Audience score: 90%)

The Incredibles - Underrated film, pre-superhero craze
(Critic score: 97%, Audience score: 75%)

The Shawshank Redemption - Justice satisfyingly served (sometimes)
(Critic score: 91%, Audience score: 98%)

Life of Pi - Visually stunning, “impossible” to make
(Critic score: 86%, Audience score: 84%)

Boyhood - Truly epic, genuine sentimental childhood
(Critic score: 97%, Audience score: 80%)

Get Out - Psychological horror in racist form
(Critic score: 98%, Audience score: 86%)

It - Unique story of ruined childhood
(Critic score: 86%, Audience score: 84%)

Superbad - Perfect first half, classically raunchy
(Critic score: 88%, Audience score: 87%)

The Interview - Canceled before release? Must watch
(Critic score: 51%, Audience score: 48%)

Disaster Artist - Surprisingly humane; anyone can moviemake
(Critic score: 91%, Audience score: 85%)

Jojo Rabbit - Coming-of-age Nazi humor
(Critic score: 80%, Audience score: 94%)

Marriage Story - Spoiler: divorce is the villain
(Critic score: 94%, Audience score: 85%)

Nomadland - A non-glorification of simple living
(Critic score: 93%, Audience score: 82%)

Kingsman: The Secret Service - Inject church scene, my veins
(Critic score: 75%, Audience score: 84%)

Goodfellas - Decent Community “Chicken Fingers” spoof
(Critic score: 96%, Audience score: 97%)

Thor: Ragnarok - Finally. Thor done right
(Critic score: 93%, Audience score: 87%)

Avengers: Infinity War - Marvel’s Empire Strikes Back
(Critic score: 85%, Audience score: 91%)

Pirates of the Caribbean: The Curse of the Black Pearl - Glad they never made sequels
(Critic score: 79%, Audience score: 86%)

Birdman - “Impressive” is understating it
(Critic score: 91%, Audience score: 78%)

The Breakfast Club - Mold breaking high school classic
(Critic score: 89%, Audience score: 92%)

Reservoir Dogs - "The Middle" is forever tainted
(Critic score: 92%, Audience score: 94%)

Schindler's List - Liam Neeson's breakdown >>>
(Critic score: 98%, Audience score: 97%)

Parasite - On point suspense, surprising depth
(Critic score: 98%, Audience score: 90%)

Knives Out - Murder Mystery, yet post-Murder Mystery
(Critic score: 97%, Audience score: 92%)

Holes - Just as charming as book
(Critic score: 78%, Audience score: 76%)

Hook - Pure childhood adventure bliss
(Critic score: 29%, Audience score: 76%)

The Holdovers - Paul delivers GOAT Christmas movie
(Critic score: 97%, Audience score: 92%)

Wayne's World - Surprisingly endearing, meta party rock
(Critic score: 79%, Audience score: 84%)

October Sky - Inspiring West Virginia rocket boys
(Critic score: 91%, Audience score: 88%)

Brigsby Bear - A multi-layered improbable success
(Critic score: 82%, Audience score: 86%)

Eternal Sunshine of the Spotless Mind - A very forgetful love story
(Critic score: 92%, Audience score: 94%)

21 Jump Street - Unexpectedly on the nose humor
(Critic score: 85%, Audience score: 82%)

The Peanut Butter Falcon - Flawed yet forgivable, perfect storytelling
(Critic score: 95%, Audience score: 96%)

Borat Subsequent Moviefilm - Unapologetic, grotesque, cringey, perfectly timed
(Critic score: 85%, Audience score: 62%)

The Truman Show - Most paranoia inducing film ever
(Critic score: 95%, Audience score: 89%)

The Pianist - Watch Brody experience Poland's death
(Critic score: 95%, Audience score: 96%)

Come and See - Can’t ever unsee; brutalized childhood
(Critic score: 97%, Audience score: 95%)

The Matrix - Bad trilogy, groundbreaking sci-fi
(Critic score: 88%, Audience score: 85%)

The Harry Potter movies - Charming, does justice to books
(Average critic score: 85%, Audience score: 82%)

Django Unchained - Unapologetically brutal in satisfying ways
(Critic score: 86%, Audience score: 91%)

UHF - Someone gave Weird Al a camera
(Critic score: 61%, Audience score: 77%)

SLC Punk! - Anarchy in the conservative SLC
(Critic score: 63%, Audience score: 89%)

Weird: The Al Yankovic Story - Finally a great biopic
(Critic score: 83%, Audience score: 81%)

The Motorcycle Diaries - Che Guevara: a love story
(Critic score: 83%, Audience score: 92%)

Friendship - Someone gave Tim Robinson a camera
(Critic score: 88%, Audience score: 73%)

100. Bullet Train - Enjoy; don’t be a diesel
(Critic score: 54%, Audience score: 76%)

Honorable mentions (#101-125 in alphabetical order) A Goofy Movie, Angels in the Outfield,
BASEketball, Civil War, Die Hard, Donnie Darko, Free Solo, Get Out, Home Alone, Inception,
Indiana Jones: Raiders of the Lost Ark, Interstellar, No Country for Old Men, Paddington, Pokemon:
The First Movie, Popstar: Never Stop Never Stopping, Remember the Titans, Robin Hood, Shaun of
the Dead, Shrek, Spider-Man: No Way Home, Swiss Army Man, The Prestige, Three Billboards Outside
Ebbing, Missouri, Top Gun
Lastly, I also made a list of movies that might just make some people mad. Here’s some movies that a lot of
people liked or that I heard were really good but didn’t love them when I saw them. In short, I think they're
overrated.
-American Psycho
-Anything done by Mel Brooks
-Anchorman
-Blade Runner
-Bohemian Rhapsody
-Caddyshack
-Dumb and Dumber
-Dune
-Elf
-Fargo
-Galaxy Quest
-Ghostbusters
-Joker (1 & 2)
-Jurassic Park/Jurassic World (besides the first one)
-Nightmare Before Christmas
-Princess Bride
-Star Wars: Episode VIII - The Last Jedi
-The Shape of Water
-The Social Network
-Zoolander
If you also didn’t like some of these movies, let me know and we can bond over it.